LSIB uplifts stamiyaʔ community members with colourful Pride carnival

‘We’re accepting those people we’ve always had in our communities, and we’re returning to where our ancestors were’

Joan Saddleman from the Lower Similkameen Indian Band (LSIB) participates in the Next Rez Drag Superstar competition that was hosted by LSIB during their third annual Pride carnival in niʔxʷinaʔ (Keremeos) on June 16. Photo by Aaron Hemens
Joan Saddleman from the Lower Similkameen Indian Band (LSIB) participates in the Next Rez Drag Superstar competition that was hosted by LSIB during their third annual Pride carnival in niʔxʷinaʔ (Keremeos) on June 16. Photo by Aaron Hemens
Joan Saddleman from the Lower Similkameen Indian Band (LSIB) participates in the Next Rez Drag Superstar competition that was hosted by LSIB during their third annual Pride carnival in niʔxʷinaʔ (Keremeos) on June 16. Photo by Aaron Hemens

For its third annual Pride carnival, the Lower Similkameen Indian Band (LSIB) embraced their sməlqmíx ways of acceptance of love in all of its forms — celebrating and uplifting their stamiyaʔ (Two-Spirit) relatives.

Hosted in niʔxʷinaʔ (Keremeos) in syilx homelands, community members of all ages and backgrounds gathered at Memorial Park for the event in mid-June. The carnival featured drag and runway performances, vendors, local artisans, games and round-dancing to songs provided by the Highwater Drummers group.

Iniigamaki (Buffalo Stone Woman) Kirsten Lindley organized the carnival alongside Jade Montgomery-Waardenburg and Madeline Terbasket. She said the event felt especially impactful being held in such a small town.

“We’re here. We’re letting them know that we’re not ashamed and that we’re proud of all of our relatives who have come out,” Lindley said. 

“We’re letting them know that there are safe people out there for them, and I’m excited to see the community that’s already there or maybe it’s strengthened by this event.”

The doe who grew horns

Community members participate in a round dance during the Lower Similkameen Indian Band’s (LSIB) third annual Pride carnival in niʔxʷinaʔ (Keremeos) on June 16. Photo by Aaron Hemens
Community members participate in a round dance during the Lower Similkameen Indian Band’s (LSIB) third annual Pride carnival in niʔxʷinaʔ (Keremeos) on June 16. Photo by Aaron Hemens

Before the event began, Terbasket shared how stamiyaʔ, the nsyilxcən word for Two-Spirit, means “the doe who grew horns.”

“When I found that word, it just completely opened my mind and my heart to who I am and who I’m supposed to be,” they said.

The carnival’s main event was the Next Rez Drag Superstar, which consisted of five community members who stepped into the spotlight and let their drag personas shine.

Songs were drawn randomly from a hat before the contestants each lip-synched and performed before a panel of judges. Though there was technically only one winner, each contestant was acknowledged with a prize.

For Lindley and Montgomery-Waardenburg’s auntie, Joan Saddleman, it was her first time performing drag.

“Not on the outside, but on the inside, we’re all the same,” said Saddleman. “We’re all so beautiful, no matter what.”

Taylor Lezard from the Penticton Indian Band (PIB) participates in the Next Rez Drag Superstar competition that was hosted by Lower Similkameen Indian Band (LSIB) during their third annual Pride carnival in niʔxʷinaʔ (Keremeos) on June 16. Photo by Aaron Hemens
Taylor Lezard from the Penticton Indian Band (PIB) participates in the Next Rez Drag Superstar competition that was hosted by Lower Similkameen Indian Band (LSIB) during their third annual Pride carnival in niʔxʷinaʔ (Keremeos) on June 16. Photo by Aaron Hemens

Aiyana Reid, who is Cowlitz, Klickitat and Taitnapam, came out on top as the Next Rez Drag Superstar, after competing for the top spot against their partner, Letkwu Yusn Moore Stanger, who is Okanogan, San Poil and Wenatchi, Moses-Columbia from Colville Tribes.

Both Reid and Stanger were visiting from Spokane, after helping to organize Washington State’s first Two-Spirit powwow. They attended LSIB’s Pride event to show solidarity for their Two-Spirit kin in the area.

Letkwu Yusn Moore Stanger, who is Okanogan, San Poil and Wenatchi, Moses-Columbia from Colville Tribes, participates in the Next Rez Drag Superstar competition that was hosted by Lower Similkameen Indian Band (LSIB) during their third annual Pride carnival in niʔxʷinaʔ (Keremeos) on June 16. Photo by Aaron Hemens
Letkwu Yusn Moore Stanger, who is Okanogan, San Poil and Wenatchi, Moses-Columbia from Colville Tribes, participates in the Next Rez Drag Superstar competition that was hosted by Lower Similkameen Indian Band (LSIB) during their third annual Pride carnival in niʔxʷinaʔ (Keremeos) on June 16. Photo by Aaron Hemens

“It’s been over 200 years since we celebrated Indigiqueer people, since the time of first contact. White people came in and told us Two-Spirit people were not normal, not natural,” said Stanger, who noted that a doe with antlers is a natural occurrence. 

“That happens in nature. So it was really special to give that meaning out, and show people that (stamiyaʔ) is natural, that it’s been celebrated for thousands and thousands of years.”

‘We should feel safe and at home’

Reid praised the carnival, noting that Pride events and representation in small towns can be life-saving for so many people.

“I feel like that’s what makes it valuable in these small towns, is that people shouldn’t have to go so far away to see themselves, because we exist here,” they said.

“Especially Two-Spirit people — we’ve all been all up in this since the beginning of time. We should feel safe and at home, instead of needing to go somewhere else to feel at home or with our family.”

Aiyana Reid, who is Cowlitz, Klickitat and Taitnapam, participates in the Next Rez Drag Superstar competition that was hosted by Lower Similkameen Indian Band (LSIB) during their third annual Pride carnival in niʔxʷinaʔ (Keremeos) on June 16. Photo by Aaron Hemens
Aiyana Reid, who is Cowlitz, Klickitat and Taitnapam, participates in the Next Rez Drag Superstar competition that was hosted by Lower Similkameen Indian Band (LSIB) during their third annual Pride carnival in niʔxʷinaʔ (Keremeos) on June 16. Photo by Aaron Hemens

The pair were asked by a young person in attendance how to stay joyful as a trans couple, with Reid telling the person that it’s important to find others that remind you of what Indigiqueer joy and healing is.

“I feel like that’s us laughing, smiling, dancing,” they said. “I feel like having the consistency of watching queer joy on a regular basis — that’s what allows me to keep going as a trans person.”

‘We’re returning to where our ancestors were’

Lindley, who helped launch LSIB Pride with Montgomery-Waardenburg three years ago, said that celebrating and supporting stamiyaʔ was one of the reasons why the celebrations began in the first place.

“When I was growing up, no one came out,” she said. 

“It’s so exciting to see that being reclaimed, just after how many years of it being hushed and being kept a secret, mostly for safety.”

Helping to create spaces and change in the community, she continued, is what gets her the most excited for the future of Pride.

LSIB Youth Serenity Marsden, centre, participates in a round dance during the Lower Similkameen Indian Band’s (LSIB) third annual Pride carnival in niʔxʷinaʔ (Keremeos) on June 16. Photo by Aaron Hemens
LSIB Youth Serenity Marsden, centre, participates in a round dance during the Lower Similkameen Indian Band’s (LSIB) third annual Pride carnival in niʔxʷinaʔ (Keremeos) on June 16. Photo by Aaron Hemens

“It’s just exciting that we’re making changes and we’re accepting those people we’ve always had in our communities, and we’re returning to where our ancestors were,” she said.

“That’s what’s really powerful to me.”

Author


Aaron Hemens, Local Journalism Initiative Reporter

Aaron Hemens is an award-winning photographer, journalist and visitor in unceded syilx Okanagan territory. He is Filipino on his mom’s side, and has both French and British roots on his dad’s. As a settler, he is committed to learning and unlearning in his role as Storyteller for the Okanagan region, and to accurately and respectfully tell stories of Indigenous Peoples throughout the area. Aaron’s work is supported in part with funding from the Local Journalism Initiative in partnership with The Discourse and APTN.

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