Burlesque troupe brings ‘badass Indigenous sexuality’ to Pride

Virago Nation will perform in Musqueam, Squamish and Tsleil-Waututh territories on Saturday — confronting colonial ideas of gender and sexuality through performance

A group of people, some wearing black high-heel boots and lingerie, stand together inside a music studio
A group of people, some wearing black high-heel boots and lingerie, stand together inside a music studio
Members of the Virago Nation burlesque troupe pose for a group photo. Photo submitted by Nicky Nine Doors

Marking their first in-person performance since the pandemic shutdown, Virago Nation is bringing their brand of joy and acceptance to Musqueam, Squamish and Tsleil-Waututh territories.

The all-Indigenous burlesque group is performing Saturday at Vizzy Forest Lounge as part of Vancouver Pride celebrations.

Shane Sable, a Two-Spirit performer of the Gitxsan Nation, said the night will be filled with flair, drama, drag and resistance. It will also challenge colonial ideas around gender and sexuality.

“Sexuality can be joyful, and it can be a celebration, and it doesn’t have to be always shrouded and weighed down in guilt, shame, propriety, or measures of purity,” said Sable, a convening member of Virago Nation.

“Folks can expect a broad range of badass Indigenous sexuality and empowerment.”

Embracing being Indigenous and/or queer within a sexualized performance art such as burlesque is a radical act that confronts colonization, Sable said. 

“That in and of itself is political, making a statement and pushing against some folks who would really rather that we did not — and a society that would really rather we did not.”

A woman poses in a fur jacket on a beach, wearing
Shane Sable poses for a photo on a ‘Vancouver’ beach. Photo submitted by Kate Whyte Photography

Healthy connection to sexuality

As an art form, burlesque celebrates the sexuality of adult performers of all ages and sizes. Shows frequently include provocative dancing to rouse the audience, and performers often strip until they are nearly naked on stage.

Ruthe Ordare, who is of the Mohawk Nation and a founding member of Virago Nation, said for her troupe, it’s also an act of resistance that challenges harmful stereotypes about Indigenous women and Two-Spirit people.

“We’ve lost our healthy connection to sexuality and being able to embrace it in a way that’s positive,” Ordare said.

“For the safety of our community, we have to take out the shame, the virgin-whore dichotomy, objectification, and violence. All these things come from colonization.”

Pushing back against these ideas contributes to the safety and well-being of both Indigenous and non-Indigenous people, Ordare explained.

“You can expect a beautiful cross-section of politics, drama, sexuality, challenging art, and see a whole spectrum of positive representations of intersectionality in a way that is celebratory,” said Ordare.

Reconnecting to Indigenous understandings of gender and sexuality includes welcoming and accepting Two-Spirit and queer people into communities and embracing the gender expressions of 2SLGBTQIA+ people, Sable added.

“Finding that love and acceptance in the Indigenous community, in a decolonial way of viewing Indigenous bodies and sexualities and genders, has just been a relief.”

Sable adds that when one decolonizes their mindset about sexuality, they can reclaim their identity, self-expression and relationship to their body. For Sable, understanding her gender and sexuality from an Indigenous perspective has helped her let go of harmful beliefs about herself. 

“Having that decolonial lens … has in some ways allowed me to breathe a lot easier because it’s allowed that issue to no longer be a critical issue in my life,” Sable said. 

“It’s important for everyone to decolonize their attitudes towards sexuality because colonization fundamentally hurts everyone.”

Back on stage

Sable and Ordare said the group is excited to get back into live performance. 

A few members of the group recorded performances for Vancouver Pride in 2020 when the festival went digital because of pandemic gathering restrictions, but it wasn’t the same as performing with the energy of a live audience.

“This is a really exciting, celebratory way for us as a group to be together and be with audiences once again, and to collaboratively make that really beautiful magic that happens when you have the interchange between a live audience and a live performance,” said Sable.

The show will also include performances by Virago Nation’s “stage cuzzinz,” Mx Bukuru, Xanax, and Abb’Original, to name a few.

“You will be able to expect a lot of love and enthusiasm for being together and creating this art form for the audience,” Sable said.

Author


Amei-lee Laboucan

We live in a media ecosystem that thrives on misinformation. Big Tech and AI companies are consuming the work of real human beings and Canadian news has been banned on Facebook and Instagram.

Eden Fineday

And yet, I have hope for journalism because of the work we’re doing at IndigiNews.

At IndigiNews, we embody tâpwêwin — the Cree value of integrity and responsibility in truth-telling. We are committed to our independent, Indigenous-led newsroom rooted in community, accountability, and relationality. We believe storytelling is a sacred fire that connects our pasts, presents, and futures through the storytellers in our Storytelling Lodge. IndigiNews creates space for Indigenous journalists, storytellers, Knowledge Keepers, and communities to gather, learn, and share stories that matter.

As a registered charity, we are building a fire that allows our work not just to ignite but to thrive. Rather than relying on advertising or corporate acquisition, IndigiNews is sustained by people like you who believe Indigenous stories are important for the future of our communities.

Your support is making a real difference.

Our community of supporters, our Firekeepers, make it possible to grow our newsroom, publish award-winning journalism, train emerging Indigenous journalists through initiatives like the ReFocus Photojournalism Fellowship, and publish trustworthy stories that serve our communities across the country. Every story we publish helps fill in gaps left by mainstream media and ensures Indigenous perspectives are represented with care, accuracy and respect.

But there is still more work to do.

As the media landscape becomes more and more uncertain, community support is as necessary and essential as it’s ever been. Every new Firekeeper helps protect the independence of our newsroom and strengthens journalism that is accountable to our many and varied communities over corporations.

That’s why we’re inviting you to become a Firekeeper.

Firekeepers tend to and protect the sacred fire. Your monthly contributions directly support IndigiNews’s Storytelling Lodge, helps sustain our independent, Indigenous-led newsroom, and ensures future generations of Indigenous storytellers have the resources they need to do the work.

As a registered Canadian charity, all eligible donations receive a charitable tax receipt.

If you believe Indigenous stories matter, if you value independent journalism, and if you want to help build a strong future for Indigenous media, we invite you to join our circle of Firekeepers today.

Together, we can keep the fire burning.

— Eden Fineday, Publisher, IndigiNews

Support us now

Latest Stories